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Criticism at work must provide itself with the wherewithal to think about new objects and make a re-assessment of them. This is the case with Riccardo Venturi’s contributions, in this issue of Critique d’art, about the expanded cinema and Alexandre Castant’s about the sound arts. But this can only be done by going back over what, in the eyes of most people, has always seemed to be a component of art criticism: the discriminating function. Be it about the revival of prizes and awards examined ...

Readings to Fight against Entropy in Thinking of Art and about Art