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One of the several relations that Évora Cathedral maintained with the other religious institutions of the city was one of a musical nature. In this context we find the feminine Cistercian monastery of S. Bento de Cástris and its relations with the city and, in particular with the Cathedral where the earliest references date to the time of the chapel master Mateus d’Aranda. In the seventeenth century we still find several musicians from the Cathedral with links to the monastery. The present study centres in one in particular, António Rodrigues Vilalva, who’s sister Isabel Baptista entered the monastery of S. Bento de Cástris on the basis of being a singer and harpist. The study aims to reconstruct the musical career of Vilalva and the possible influences on his sister’s musical education that, although lacking detailed references, can be seen from the  CESEM NOVA FCSH / Universidade de Évora, luiscfhenriques@gmail.com perspective of other similar contexts, notably the Spanish city of Toledo, where the same relations between Cathedral masters and feminine convents existed.

As parentelas e a aprendizagem da música entre a cidade de Évora e o Mosteiro de S. Bento de Cástris: o caso de António Rodrigues Vilalva