English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This investigation points out the various characteristics of the (meta)theatrical language of Maese Pedro’s retablo , both in the staging of an oral tradition in the mute language of marionettes and in the discourse of the interpreter who describes them. This (re)presentation reveals, on the one hand, don Quixote’s interpretation of this performance in the minstrel tradition as a critical listener and, on the other, his reaction as an isolated and silent reader. The reading that don Quixote finally imposes is thus the same mute reading that drove him to madness. His behavior externalizes the confrontation between knightly romances and the new literary forms that were to replace them, highlighting the supremacy of new comedic theater and what would be considered years later as the novel.

Donde lo verá el que lo leyere y lo oirá el que lo escuchara leer: sobre el lenguaje metadramático de los títeres de maese Pedro