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In this work I have studied a series of carved reliefs for the pelmets of the Royal Palace in Madrid, today preserved at the Prado Museum and at the Royal Academy of San Fernando. Several news are brought forward that allow us to know about their authentic artists, the exact number of them; the different materials that have been used, the judgement and valuation that these reliefs deserved from Sabatini and other contemporary sculptors; false attributions are cleared and a lot of unknown details about their fulfillment is provided here.

Los relieves labrados para las sobrepuertas de la Galería principal del Palacio Real