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This paper sheds light on war literature, defining it and highlighting its significance. It also underlines its selective nature as it can magnify, bedim, or even warp certain truths, depending on the perspective from which this literature is delivered. The paper also emphasizes the function of war literature in raising awareness as to the horrors of war and its aftermath as well as its function in promoting peace. Besides, it examines The Kite Runner in this respect. It shows how this novel succeeds in portraying the atrocities of war and its drastic effects long after this war ends. The paper observes how the novel synchronizes the political events with the personal ones in order to show that the war does not only affect those who are directly involved in it but extends to reach the innocent more severely. To underline the parallel between the political and personal events, Husseini employs the rape motif and balances the political turning points with the crucial events at the personal scale. The author also juxtaposes scenes that display the damages of the war with scenes that portray the blissful state before the inauguration of war in order to exhibit the grave impact of war and the irretrievability of this state. Husseini also presents the law of the jungle that becomes prominent during and after the war and exposes the detrimental destruction of the country sites – the destruction that effaces civilizations. The paper also proposes possible topics for future research.

War Literature: The Kite Runner and What History Cannot Inform