English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The Neruda Case is set as an historical novel, since it recreates a character who had a real existence (i.e., the poet Pablo Neruda). In addition to this, it is a detective novel in which the detective Cayetano Brule undertakes an investigation to discover a mystery of Neruda’s past. Thus, this paper aims to study both the characteristics of the novel mentioned above and Brule’s construction as a character in order to situate them in the postmodern period. The analysis is based on texts written by the following theorists and critics: Baudrillard (1993), Garcia-Corales (1999), Marun (2006), Garcia-Llamas (2015), Eagleton (1998), Lyotard (2006), Jameson (2002), Bauman (2003), Eco (1985, 2011), Franken K. (2011), Ramirez (2016), Toro (1998), Vizcaino Mosqueda (2013), etc. Both the novel and its protagonist can be considered postmodern, because a contemporary reality in being faced, in which Brule needs to build himself as a detective in a daily process so as to succeed in a chaotic and confusing Latin America in crisis

Un Maigret caribeño y postmoderno en El caso Neruda, de Roberto Ampuero