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EnglishThis article reads Emma Donoghue's 2007 novel Landing as an intersectional romance. The novel's conflict emerges not only from the distance between the two lovers, the Irish flight attendant Sile and the Canadian curator Jude, but from several intersecting differences: gender identity, class, race, age, sexual orientation, and nationality. Specifically, this article lays out how Sile’s nationality and sexuality are compromised through invisibility, and unpacks how her race and gender contribute to this invisibility. While Jude is recognizably queer and Canadian, as a femme of colour Sile’s identity requires more explanation and affirmation. Through Landing, Emma Donoghue examines how Sile can find happiness without compromising her identity as an Irish racialized femme EnglishEste articulo analiza la novela de Emma Donoghue LANDING ( 2007) como romance interseccional.El conflicto argumental tiene su origen no solo en la distancia entre las dos amantes, la azafata irlandesa Sile y la gestora cultural canadiense Jude, sino en varias diferencias que se solapan: la identidad de genero, clase, raza, edad, orientacion sexual y nacionalidad. En concreto, este articulo analiza como la nacionalidad y la sexualidad de Sile son puestas en peligro por su invisibilidad, y explica como su raza y su genero contribuyen a la misma. Mientras que Jude aparenta ser queer y canadiense; como mujer de color la identidad de Sile exige mas explicacion y afirmacion. A traves de la novela, Donoguhue articula como Sile puede encontrar la felicidad sin poner en peligro su identidad como mujer irlandesa racializada

“The best tradition of womanhood”: Negotiating and Reading Identities in Emma Donoghue’s Landing