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espanolEste texto presenta mi investigacion doctoral que, a traves de la practica artistica de la escritura para cine, aborda cuestiones relacionadas con los derechos de las mujeres y la justicia reproductiva en Ecuador y Latinoamerica. Las preguntas basicas que articulan la reflexion son: ?es posible crear una ficcion de base legal que constituya una argumentacion politica sobre justicia reproductiva, evidenciando los modos en los que la ley vulnera los derechos de las mujeres en Ecuador y America Latina? Y, si es posible, ?sera capaz tal ficcion de desafiar, cuestionar o complementar la legislacion vigente, restituyendo simbolicamente los derechos vulnerados?En esta investigacion la practica de la escritura creativa, que toma la forma de un guion cinematografico, procura interpelar varios instrumentos internacionales de derechos humanos, la Constitucion y el Codigo Organico Integral Penal del Ecuador y multiples instrumentos de politica publica ecuatoriana, con relacion a los derechos de las mujeres. El guion constituye el resultado de un particular ejercicio de hermeneutica juridica, en el que a traves de la fuerza heuristica que Paul Ricœurreconoce a la ficcion, cuatro personajes femeninos encarnan y problematizan ciertas ficciones juridicas respecto de los derechos reproductivos en Ecuador.La investigacion propone una trayectoria del poder biopolitico para interrogar la vida como potencia y un cuerpo femenino como vida desnuda. Ficciones disidentes reescriben la ley procura hacer visibles los modos en los que la legislacion ecuatoriana y sus estrategias biopoliticas de aplicacion vulneran los derechos de las mujeres. En ultima instancia, siguiendo las ideas de Jacques Ranciere, la ficcion procura inducir al disenso como tactica para lograr una restitucion simbolica de los derechos vulnerados EnglishThis text is an introduction to my doctoral creative research that addresses issues of women’s rights and reproductive justice in Ecuador and Latin America, through the practice of the screenplay writing. The basic research questions that allow me to articulate this reflection are: is it possible to set on legal grounds a fictional story about women’s reproductive rights, in order to propose a political argumentation about women’s fundamental rights and reproductive justice issues in Ecuador and Latin America? If it is, could that fiction in anyway question and contest the legislation in force in order to re-right the rights law disregarded?Through a feature-length screenplay and accompanying dissertation, artistic practice-led research interrogates several international human rights instruments, Constitutional law, Criminal Law and public policy in Ecuador, with regards towomen’s reproductive rights. The screenplay is the outcome of a particular sort of juridical hermeneutics; where the heuristic force Paul Ricœur recognizes in fiction allows the screenplay writer to re-present various juridical fictions regarding reproductive rights, shaped according to the Ecuadorian law, in the form of four female characters.The research proposes a biopolitical trajectory in order to interrogate life as possibility, potentiality, and a female body as Bare Life. Dissenting fictions re-righting law renders visible how Ecuadorian law and its biopolitical enforcement strategies disenfranchise women. It ultimately introduces dissensus, as suggested by Jacques Ranciere, as a tactic to re-right those rights law disregarded.

Ficciones disidentes reescriben la ley: investigación a través del arte sobre biopolítica, derechos de las mujeres y justicia reproductiva en Ecuador