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EnglishThis article intends to reflect on a range of concepts about joy through figures that embody the aesthetics of plenty, in this case, the fool and the clown. From the Greeks to the late 19th century, the philosophy remained thinking what should be considered serious. In 1677, with the publication of "Ethics", Spinoza thought about the affections, one of them, the joy, even though he had done it with the righteousness of a geometer. The Spinozian writing is the joy wondered by the seriously. Only in the second half of the 19th century, Friedrich Nietzsche rejoices philosophical writing. In a world where children increasingly ignore the sense of fool and clown for life, think of the joy on this article is to try to return to that word in its deep originality, absent sense nowadays. portuguesEste artigo se propoe a refletir sobre um leque de conceitos inerentes a alegria por meio de figuras que encarnam a estetica da sobra, neste caso, o bobo e o palhaco. Dos gregos ate o final do seculo 19, a filosofia permaneceu a pensar o que e serio. Em 1677, com a publicacao de Etica, Baruch Spinoza pensou os afetos, um deles, a alegria, ainda que a tenha pensado com a retidao de um geometra. A escrita spinoziana e o serio que pensa a alegria. Somente na segunda metade do seculo 19, Friedrich Nietzsche alegra a escrita filosofica. Em um mundo onde criancas cada vez mais ignoram o sentido do bobo e do palhaco para a vida, refletir sobre a alegria neste artigo e tentar devolver a essa palavra sua profunda originalidade, sentido ausente em dias hodiernos.

Bobos e palhaços: a estética da so(m)bra