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The emergence of vaudeville and, later, moving pictures coincided with a period of increased immigration to the United States and both relied heavily on ethnic stereotypes for material. This paper will examine some of the ways in which one particular ethnic group, the Irish, were represented on stage and screen in late nineteenth and early twentieth century America. It will attempt to tie the portrayal of Irish ethnicity into wider debates around the nature of audiences for vaudeville and early cinema, and the impact which these mass media may or may not have had on urban, working class, immigrant audiences. I will consider the extent to which vaudeville and early cinema might have functioned as assimilationist tools, not only in relation to newly-arrived Irish immigrants but also those joining the steadily increasing numbers of middle class Irish Americans.

Representations of the Irish in American Vaudeville and Early Film