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In the narrative tradition of realism, the film "Knife in the Clean Water" mirrors the border areas far from the Chinese film culture center. On the theme, the Chinese realist films creation in the multiple integration pattern were supplemented and improved. The director completed the film creation in the way of ethnographic narrative. In the ethnographic narrative, the real life of the ethnic groups in the border areas and the personal experience of the Han national directors are integrated into the introspective thinking of life, so as to achieve dialogue and observation between life and self between different ethnic groups. Keywords—"Knife in the clean water"; ethnography; border areas; personal narrative

Knife in the Clean Water: Life Reality in Border Area and Personal Narrative Experience