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Receptional aesthetics is a new methodology proposed by RH Jauss in literary studies in the 1960s. On this basis, in the early 1970s, he combined the filmology of receptional aesthetics together with audience study, opened the prelude of film receptional aesthetics research and he proposed a very unique methodology. This article takes the film receptional aesthetics as principle, deeply analyzes the narrative theme and cultural connotation of the television work "Eternal Love" which adapted from the online novel with the same name, and makes meticulous interpretation of the audience's expectation and aesthetics as well as other aspects, aims to explore the aesthetic value and aesthetic taste of the traditional Chinese culture implied in the work. Keywords—receptional aesthetics; expectation horizon; aesthetic acceptance; "Eternal Love"

Study on the Oriental Aesthetic Value of “Eternal Love” Under the Receptional Aesthetics of Film