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The article is devoted to the question of the formation of Russian and German copyright of musical works. It considers the system of privileges as a source of copyright, presents the chronology of the emergence of copyright laws in Russia and Germany in the XIX century. The work also includes an analysis of correspondence between Germany and Russia on copyright issues in connection with the Bern Convention of 1886.The main material for the article was sources and literature from the funds of German and Russian archives and libraries. Keywords—composer; copyright; privilege; law; publisher

Study on the Formation of Copyright in Music in Germany and in Russia