English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article justifies the method of comprehending the mental and psychological structure of personality through the analysis of a concept-sphere reflected in the language of art. Special focus is placed on the hypothesis according to which fictional plots (Orpheus, Prometheus, Odysseus, Faust) are viewed as reflections of fundamental human behavior patterns, which determine personal choices, establish a specific personal-eventive ontology and are reflected in the language. Particular attention is given to one of the advantages of Art, namely the ability of Art to translate experience transempirically. The article demonstrates the attractive nature and practice-behavioral orientation of an artistic image and assumes that it has a potential of emotional reasoning. Special emphasis is put on intonational nature of speech (B. Astafyev), as a specific mechanism of effecting a psycho-mental structure of personality. The authors refer to the concept of chronotope (A. Ukhtomsky, M. Bakhtin) to reveal the mechanisms of intellectual enrichment by which an individual is plunged into the world of fiction and encounters the Face of the Other, whereas emotional response is viewed as a quality criterion with regard to the work of art. Keywords—personality; language of art; transempirical translation of experience; intonation; chronotope

Mental and Psychological Structure of Personality in the Context of the Figurative Language of Art