English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

In the Buddhist grottoes of Tang Dynasty, there is a rare combination of statues in Guangyuan and Bazhong's sculpture art, in Sichuan Province. The combination of statues is unique and special in that, there is totally nothing similar elsewhere in the country. This form of combination as in the topic is the so-called Bodhi and Maitreya statues in the same cave. Why is it in Guangyuan and Bazhong districts Sichuan Province that these statues were created? Why is it not in other areas? Look back upon the history, does this combination of statues have any other implications, religiously or politically, apart from the significance of the image art? That is what the author is trying to reveal and discuss in this paper.

On the Images of Bodhi and Maitreya Statues in The Same Cave During the Tang Dynasty