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This paper projects figure-ground theory onto the translator’s dynamic cognition around the translation process, exploring the cognitive translation strategies for the Chinese poetry adopted by the translator. Taking Seeing Meng Haoran Off at Yellow Crane Tower as an example, this paper focuses on three translation strategies: those for figure-ground internalization, figure-ground innovation, and figure-ground replacement respectively. It is found that the key factor of the translated version is to look for the asymmetrical balance point or new critical point among all the translation strategies, and employ it to convey the figure-ground schema in the source text.

The Figure-ground Theory in the Chinese Poetry Translation Strategies