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This research aims to determine the results of the analysis of the Guguak Manyambah Song relate to the rhythm, melody, harmony, form, expression and relationship of melody with the song lyric. The type of the research is a qualitative research with a descriptive content analysis approach. The informant of this research was B. Andoeska, who created the Guguak Manyambah Song. Data collection technique done by interview, documentation study, literature study and labor work. Techiques of analysis data are classification of data reduction, data presentation and drawing conclusions. The Guguak Manyambah song is one of the songs classified as pop or popular songs. This song motive is simple, where the lyrics contain deep meaning about how much a man's love for the woman he loves. The tones used on the Guguak Manyambahsong are C, G, D, F, Dm, Gm, and Am. This Guguak Manyambah song uses the major Natural Scales (C = Do) with a 4 meter or 4/4 rhythm, meaning that in one segment there are four beats and the beat unit used is not 1⁄4 (quarter or crossroad) which means that the time signature of the Guguak Manyambah song is 4/4. The song consists of 33 bars and starts on the fourth beat (Down beat) with a tempo of 76. The song has 3 antecedent phrases and 5 consequent phrases. This song has two forms, they are A and B. The melody and poem relationships in this song are predominantly syllabic although there are several neural bars. The Guguak Manyambah song has only one type of kadens, namely The perfect authentic cadence (perfect authentic Kadens). Keywords—Song Analysis, Guguak

An Analysis of Guguak Manyambah Song Created by B. Andoeska in Minangkabau Song