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The article focuses on analysing Russian and English-American musicological literature on Sergey I. Taneyev’s creative activity. The author of the article highlights the increased interest in Taneyev as an outstanding representative of the Russian culture at the turn of the 20th century, on the part of both Russian and foreign scientists. Outside Russia, Taneyev is predominantly seen as a musician and musicologist, an expert in polyphony, while, as the present article shows, the works by Russian musicologists study various aspects of Taneyev’s creative activity, including composition. The overview proposed in the article allows expanding the range of relevant topics for studying Taneyev’s

An Overview of Russian and English-American Studies on Sergey Taneyev’s Creative Activity