English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This thesis studies the use of aleatory techniques in Witold Lutosławski's music and the issues that arise when using aleatoricism, a branch of textural composition that has room for exploration. I focused my study on three of Lutosławski's major works, analysing his approach to aleatoricism, form, and macro- and micro-rhythm. I wrote three works for the portfolio component. My approach to aleatoricism differed in each work. Through studying Lutosławski and my own composition, I came across practical issues in creating the score, issues with performers, and compositional problems. However, once these issues were worked though, aleatoricism is a exciting compositional device that is not yet tired.

An Examination of the Chance Elements in Witold Lutosławski's Music, with Particular Attention to Its Function as a Model for Compositional Practice