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The monography traces the complex relationships between political discourses on the Danube and the aestheticization of the river landscape. It shows the making of the idea of a united Danube region paralleled by the conception of the region as a treshold between the East and the West in the 19th century.

Die Donau ist die Form : Strom-Diskurse in Texten und Bildern des 19. Jahrhunderts