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espanolEl convento de San Jose de La Orotava fue una de las fundaciones femeninas mas importantes de la orden franciscana en Canarias. Su enorme desarrollo arquitectonico, la variedad y singularidad de las obras de arte que albergaba y su ubicacion en el centro urbano lo convirtieron en un hito artistico especialmente interesante. Entre finales del siglo xvii y comienzos del XVIII sufrio una de las intervenciones mas destacadas en su larga historia, que supuso la practica reconstruccion de su iglesia. Al finalizar esta obra, los duenos de los retablos se vieron obligados a adecentarlos. Todos lo hicieron sin problema, excepto la familia Franchi. En este articulo repasamos la disputa que este hecho suscito entre las monjas y la historica familia a cuenta de su retablo. EnglishThe convent of San Jose in La Orotava was one of the most important female foundations of the Franciscan order in the Canary Islands. Its enormous architectural development, the variety and uniqueness of the works of art and its location in the city centre made it an specially interesting artistic landmark. Between the end of the 17th century and the beginning of the 18th century, it had one of the most outstanding interventions in its long history, which involved the reconstruction of its church. When this work was completed, the owners of the altarpieces were forced to adapt them. Everyone did it without any problem, except the Franchi family. In this article we review the dispute that this fact raised between the nuns and the historical family on account of their altarpiece.

El retablo de los Franchi: historia de una disputa en el convento de San José de La Orotava en 1730