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The subject of this article is the origins of the poem &amp;ldquo;Hadji Abrek&amp;rdquo; by M. Y. Lermontov, question of location where the events take place, as well as the question of the possible impact of folk poetic oeuvres upon the work of Mikhail Lermontov. The article describes different opinions and interpretations (within the format of the article) on the topic, to the exclusion of &amp;ldquo;emphatic&amp;rdquo; commentaries and remarks. The object of this research is folklore and historical materials that contribute to revelation of idea of the poem, description of the protagonists, characterization of the Caucasian and Dagestan folklore, the echoes of which are traces in Lermontov&amp;rsquo;s poems. &amp;nbsp;The authors underline that geographical and ethnographic &amp;ldquo;nuances&amp;rdquo; were used by Lermontov to describe the forming picture in the mountain country. The novelty of this study consists in analysis of the material testifying that the inclusion of &amp;ldquo;installations&amp;rdquo; of another nation is substantiated in the poem, not just because it is somewhat of a tribute to romanticism, but it is also marks Lermontov&amp;rsquo;s comprehension of the folklore as an untouchable &amp;rdquo;heart&amp;rdquo; of culture and ethnic uniqueness. The acquired results contribute to the scientific Caucasian studies and Lermontov studies. The conclusion is made of folklore in Lermontov's poem indicates a number of defining characteristics that allowed determining individual expression of poet's work. It is reflected in selection of the examples of folk poetry, peculiar regard to the sources, and their deflection in the poem.	

“Hadji Abrek” by M. Y. Lermontov: to the question of genesis of the poem and authenticity of the folklore basis