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This paper tackles the myth of creation through sacrifice as depicted in Lucian Blaga’s theatrical piece “The master builder Manole” („Meșterul Manole”, 1927) and Henrik Ibsen’s “The Master Builder” („Constructorul Solness”, 1892). The purpose of this paper is, therefore, to explore the ways in which this myth passes through different european cultures. The symbols which gravitates around these literary works become premises for a paradigmatic, psychoanalytic and anthropological analysis.

Jertfa Pentru Creaţie: Mitul Estetic La Lucian Blaga Și Henrik Ibsen (Studiu De Caz: Dramaturgia Românească Vs. Dramaturgia Scandinavă)