English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

This work explores two cases of censorship of translations that occurred in the city of Buenos Aires at the end of the 1950s and analyzes the public debates generated in order to identify the extraliterary motivations that underlie the debates aroused around the interference of political power in literary practice. The first part of the article analyzes the case of the novel Lolita by Vladimir Nabokov, translated by Enrique Pezzoni for Sur. The second part deals with the censorship of police novels, published by the Malinca publishing house and translated by Eduardo Goligorsky, Manuel Barbera and other translators of popular mass literature. It reflects on the role of censorship in the canonization of literary works.

Hacia el hondo bajo fondo: prohibición y censura de traducciones en la Argentina (1957-1972)