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This article analyzes the first immigrating images of the North African ‘Mahometan’ in the American imagination via John Foss’s (1798) captivity account. It examines the agenda-led discourses and ‘othering’ images establishing the ideological split between the notion of the American “us” and the Muslim “them” through various discursive associations in John Foss’s (1798) A journal, of the captivity and sufferings of John Foss; several years a prisoner at Algiers: together with some account of the treatment of Christian slaves when sick:-and observations of the manners and customs of the Algerines. The account’s embedded myths, stereotypes, and clichés served as the ‘West’s’ first impression of the Muslim ‘corsair’; they rendered more vivid the perceived aberration of the ‘Orient;’ and they reinforced the symbolism of strength and glory forcefully associated with the newly nascent America. The article further discusses the breadth of circulation and propagation of the constructed ‘West-Orient’ disparity and the celebration of the confrontation with the ‘othered’ enemy. American venues—e.g. museums, galleries, and circuses—as well as works of art—e.g. novels, paintings, and cartoons—constituted a major accomplice in the dissemination of the propaganda in the American public space.

‘Barbary’ Mahometans in Early American Propaganda: A Critical Analysis of John Foss’s Captivity Account