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This paper attempts to study the correlation between madness and fantasy in four tales of the Spanish writer Antonio de Hoyos y Vinent (1884-1940) from his book Los cascabeles de Madama Locura (1916). This is a trend that became fashionable in Spain in the second half of the nineteenth century due to advances in psychiatry and the influence of emblematic figures of the fantastic literature in Spanish writers’ works. It was yet intensified with the turn of the century coinciding with Modernism, the movement to which our author is attributed. Our goal is to study how Hoyos y Vinent followed, in these particular tales, the inner fantastic masterlines through introspection of the sick mind.

Locura y transgresión en los cuentos fantásticos de Antonio de Hoyos y Vinent