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This article proposes to establish similarities and differences in relation to the concept of the self-image of artists and the concept of the image of the theater made in Porto Alegre. The main sources of the research are the oral reports of theater directors Adriane Mottola and Elcio Rossini on their artistic trajectories, based on the concepts of Jean-Paul Sartre’s image and consciousness, and the self-image of Richard Candide Smith. The article seeks to recognize the different points of view raised by these artists and to analyze the recurrent mental images about the theater in Porto Alegre, from the use of Oral History as a procedure and production of knowledge, without the pretension of creating a univocal and totalizing image of theater in the city.

CONSCIÊNCIA IMAGINANTE E CONSCIÊNCIA REFLEXIVA: UMA HISTÓRIA DO TEATRO DE PORTO ALEGRE A PARTIR DE IMAGENS E AUTOIMAGENS