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This paper presents a reflection on the artistic dynamics that are established at the boundaries between fiction and reality. To do so, it studies the theatrical experience proposed by Proyecto Prometeu and Testigo de Las Ruinas , coordinated by the colombian group Mapa Teatro. We pretend to raise some considerations on the aesthetic and ethical presuppositions written into these theatrical projects, whose original creative impulse was to as stimulate discussions related to the expropriation suffered by residents of the presently extinguished neighborhood of Santa Ines , by drawing on the impressions, memories and personal reports of former residents. This paper examines specifically the ways and goals of the use of personal narratives of former residents in constructing the scenic actions of these performances.

AUTOBIOGRAFIAS E A POSSIBILIDADE DE UMA CENA ENGAJADA: AS EXPERIÊNCIAS DE PROYECTO PROMETEU E TESTIGO DE LAS RUÍNAS DO GRUPO MAPA TEATRO