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This article addresses two principal questions: How has the group Orishas reinvented the terms in which the idea of nation is discussed and expressed? How can we interpret Afro-Cuban cultural expression within a (national) context in which the Cuban government set out to “protect” the autonomy of it cultural expression from the (global) market? I propose that the negotiation and resistance strategies employed by the Orishas, although their own, are not in fact new, and relate to other fundamental sound phenomena in the Cuban collective imagination, such as nueva trova and timba. In addition to describing the relationship of Cuban rap to these two phenomena, I focus on the ways in which the Orishas lay claim to transnational imaginaries with the purpose of defining political demands and local strategies. From nueva trova to Cuban Rap: Strategies of Resistance and Negotiation in the Group Orishas De la nueva trova al rap cubano: resistencia y negociación de Orishas