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Is it possible that the production of meaning of “Congado”, in the daily life of the city of Uberlândia, can be ratified by the historical reconstruction of the past struggle for black identity, without the risk of depoliticization of the subjects by the beauty of the folkloric representation or by being a tourist attraction? This is the problem analyzed in this article, which aims at historically examining the production of meaning of “Congado” in the city of Uberlândia, MG, Brazil. The death of ancient personalities and the need for renewal have created a disruption between the present and the past. It is as if the threads of tradition were being broken. These questions lead us to undertake cultural analysis, through Cultural Studies, in which historicity, dialectic and the subjects in movement constitute primordial factors, to understand the history of Congado amid the dialectical complexity of its historical course.

A produção de sentido na dialética da reconstrução histórica do Congado em Uberlândia