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This paper explores the debate of whether Hollywood films act as influential and progressive forces in a society, or do they serve as a larger reflection of that society. I examine Stanley Kramer’s film Guess Who’s Coming to Dinner (1967), about an interracial marriage between a black man and a white woman. Was the film progressive for its time, or was it reflective of the social attitudes in late 1960s America? I argue that although there are aspects of the film that can be construed as progressive and influential for the era, the film more accurately serves as a reflection of the larger socio-political context of 1960s America in regards to both attitudes of opposition and acceptance of interracial marriage. Furthermore, a brief comparison is also made between the film and contemporary issues surrounding race relations in 21st Century America.

Film as a reflection of society: interracial marriage and Stanley Kramer’s Guess Who’s Coming to Dinner in late 1960s America