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This paper uses approaches from ethnography and Social Network Analysis to provide a brief insight into the practical, economic and social structure of Berlin’s Improvised Music scene during 2012 and 2013. The findings presented here address imbalances of gender and race, and highlight the (often difficult) financial reality of a life in Improvised Music. Audience, venues and performers are portrayed in order to provide an entry point for those unfamiliar with Improvised Music communities, and to offer an empirically researched point of departure for those already acquainted with such musicians and practices.  This paper is an adaptation of parts of my PhD thesis “The Secret Gardeners: An Ethnography of Improvised Music in Berlin (2012-13),” which addresses the aesthetics, ideologies and practicalities of contemporary European Improvised Music-making from the point of view of 34 key practitioners and “expert” listeners.

Improvised Music in Berlin 2012-13: A Brief Ethnographic Portrait