English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Between the two World Wars, and especially after 1929, the state’s Belgrade City Authority was held to the task of policing the Yugoslav capital. Entertainment was an easy target of surveillance because popular imagination linked it with a slew of illegal activities such as gambling and prostitution. I argue that the urban administration played a significant role in defining and redefining the place of entertainment in Yugoslavia and its capital though the management of time, movement, and spatial use. The City Authority interpreted and implemented state agendas through the management of closing times, entertainers’ residence permits, and public behavior. Regulation, however, did not succeed in controlling proprietors, performers, or patrons in the city; instead, it was oftentimes only successful at tempering the visibility of entertainment itself. I demonstrate that municipal regulation of entertainment in interwar Belgrade was largely ineffective due to its inconsistent implementation and resistance from the urban classes.

MUNICIPAL REGULATION OF ENTERTAINMENT IN INTERWAR BELGRADE