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Whole Tadeusz Konwicki’s works have been strongly influenced by his own personal experiences. In his work “Kalendarz i klepsydra” one can find the same motives, situations, figures and descriptions of nature. However, one of the most repetitive leitmotive’s in his prose is ageing. In a very surprising way because of the fact that at the same time it is unpredictable and ironic, the author presents this topic in his autobiographical prose — that is in sylva’s triptych consisted of “Kalendarz i klepsydra”, “Wschody i zachody księżyca” and “Nowy Świat i okolice”. It is quite an extraordinary situation taking into consideration the fact that during the publication of the first sylva Konwicki is fifty years old — is it the age when human starts thinking about death. That question will probably be left with no answer. It is highly likely that such way of thinking about death and ageing appeared in his works because of the intensity of the experience he had gained before throughout his half of a century life. Maybe it is some kind of trick to achieve the advantage over the dialogue between an intelligent reader and himself as an author. Ageing in Konwicki’s works is multidimensional — it does not refer only to the physical ageing but also to the process of literary creation. Therefore the main purpose of this article is to collect, describe and categorise the most important topics and motives when Konwicki pretended to be old man.

Starość, czyli „niemożność, zdezaktualizowanie, zblaknięcie”, jako leitmotiv w tryptyku sylwicznym oraz autokomentarzach Tadeusza Konwickiego