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Resumo Este artigo e um memorial descritivo do processo de criacao da cena “AFETO: amor fervente en(tre) trânsito ordinario” construido como parte da avaliacao da disciplina “Dramaturgia do Ator” do curso Licenciatura em Teatro da Universidade Federal do Para, no ano de 2017. Partimos de atravessamentos sobre os estudos de Gaston Bachelard no livro “A poetica do devaneio” e apontamentos do trabalho sobre si presentes na “Dramaturgia Pessoal do Ator” de Wlad Lima, em uma confissao poetica, onde o corpo homossexual, do interprete criador desta cena, expoe suas vivencias do ciclo do amor em devaneios transversais entre a poetica pessoal e a dramaturgia do ator, desenvolvendo uma escrita autobiografica narrada da perspectiva das personas criadas durante o processo, entendendo o devaneio poetico autobiografico na criacao cenica como um ato necessario de empoderamento de si e resistencia. Abstract This article is a descriptive memorial of the process of creation of the scene “AFETHE: fervent love in (ordinary) transit” constructed as part of the evaluation of the “Dramaturgy of the Actor” course of the Licensed Theater course of the Federal University of Para, 2017. We start from cross-over on Gaston Bachelard’s studies in the book “The Poetics of Daydreaming” and notes from his work on Wlad Lima’s “Personal Actor’s Dramaturgy” in a poetic confession where the homosexual body of the creative interpreter of this scene, exposes his experiences of the cycle of love in transverse daydreams between the personal poetics and the dramaturgy of the actor, developing an autobiographical writing narrated from the perspective of the people created during the process, understanding the autobiographical poetic reverie in the scenic creation as a necessary act of empowerment and resistance.

Afeto: o ciclo do amor em devaneios transversais entre a poética pessoal e a dramaturgia do ator