English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

The article explores aspects of Russian musical criticism in early 20th century. Based on the critical articles of Yu.Engel, the author explores how Tchaikovsky’s music was perceived and assessed during this era. The general conclusion is that the Moscow critic’s views on Tchaikovsky’s symphonic works were highly important in recognizing Tchaikovsky as the “first Russian symphonist”. Keywords: criticism, music, composer, symphony, assessment, perception

Yuliy Engel on Tschaikovsky in the Context of Early 20th-Century Russian Musical Culture