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El cuarto de vidrio (postuma-2006) es la ultima novela de la escritora argentina Norah Lange. En ella se privilegia el espacio de la casa, la cual aparece aqui profundamente personificada, lo que tine el total del relato del sello fantastico que caracteriza a los escritores del boom . Lange reanuda, en esta novela, la estetica de lo increible que se habia iniciado en Antes que mueran (1944) , habia conocido el exito y el reconocimiento con Personas en la sala (1950) , y habia llegado a Los dos retratos (1956) , sin que la critica literaria se hubiera percatado de que estabamos ante una literatura plenamente fantastica o, dicho de otro modo, que sin descifrar ese elemento fantastico no se podia interpretar el sentido ultimo de la na­rrativa de Lange; una estetica que se inserta en la linea de la literatura fantastica promocionada por su primo politico Jorge Luis Borges y que tuvo amplia repercusion en Hispanoamerica, especialmente en el Rio de la Plata. El cuarto de vidrio (posthumous work-2006) is the last novel of the Argentine writer Norah Lange. In it is privileged the space of the house, which appears here deeply personified, which dyes the history of the fantastic seal that characterizes the writers of the Boom. In this novel, Lange reiterates the aesthetics of the incredible stories, that had begun in Antes que mueran (1944), had known success and recognition with Personas en la sala (1950), and had come to Los dos retratos (1956), without the literary criticism having realized that we were in front of a totally fantastic literature or, in other words, that without deciphering that fantastic element could not be interpreted the ultimate meaning of Lange’s narrative an aesthetic that is inserted in the line of fantastic literature promoted by his cousin in-law, Jorge Luis Borges, and that had wide repercussion in Hispanic America, mainly in the Rio de la Plata.

lectura y signo

La casa y su dimensión fantástica en “El cuarto de vidrio”, de Norah Lange = The house and its fantastic dimension in “El cuarto de vidrio” by Norah Lange