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espanolEl articulo se enmarca en el analisis y recuperacion de la obra narrativa de Carmen Kurtz (1911-1999), cuya produccion novelistica para adultos comprende trece obras de caracter realista y social. Duermen bajo las aguas (Premio Ciudad Barcelona, 1955) no tuvo problemas con la censura, y quizas por ello resul­ta una obra especialmente interesante. Se tratara de analizar como, en su primera incursion en la novela, la escritora se debatio entre la autocensura y el asomo de una voz critica, pues, si bien evito tratar de manera directa los efectos de la guerra y la posguerra espanola –trasfondo del relato-, introdujo una velada critica a los mitos difundidos por el Regimen franquista en relacion al papel de la mujer a traves de su protagonista, Pilar, personaje en el que se centra este trabajo. EnglishThe article is part of the analysis and recovery of the narrative work of Carmen Kurtz (1911-1999), whose novelistic production for adults includs thirteen works of a realistic and social nature. Duermen bajo las aguas (Ciudad de Barcelona Reward, 1955) had no problems with the censorship, and perhaps for that reason it becomes a particularly interesting work. It will be tried to analyze how, in her first incursion in the novel, the writer was debated between the “self censorship” and the appearance of a critical voice, because, although she avoided to treat in direct way the effects of the war and the Spanish postwar pe­riod - background of the story -, introduced a critic veiled of the myths spread by the Franco regime in relation to the role of women through its protagonist, Pilar, a character in which this work is centered.

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“Duermen bajo las aguas” (1955), de Carmen Kurtz: entre la autocensura y el asomo de una voz crítica en la posguerra española = “Duermen bajo las aguas” (1955), of Carmen Kurtz: between the self-censhorship and the emergence of a critical voice in the Spanish post-war