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The problem field of this paper lies in the complexity of the translation between only distantly related languages (in particular; from English into Russian and Belarusian): the differences in the way of the organization of poetic speech; quantitative and qualitative differences of metric tools; and poetic features. The author has carried out a detailed linguistic analysis of the original of sonnet 130 by Shakespeare in comparison with Vladimir N. Dubovka’s and Samuil Ya. Marshak’s translations (poetic content; the idea of the sonnet; the peculiarities of rhyme and the accent structure of the sonnet). It shows the peculiar skills of each translator in adequate rendering of the whole entity of the sonnet. The comparative table shows the stylistic devices (similes; epithets) used by the Belarusian and Russian translators to create the images in the sonnet. The author analyzes the degree of compliance with the original in the devices chosen by the translators; despite the synthetic nature of Russian and Belarusian in contrast to the analytic nature of the original language (English). The translations of Shakespeare’s sonnets into Belarusian and Russian by Vladimir N. Dubovka and Samuil Ya. Marshak testify to the maturity of the national schools of literary translation in both Belarus and Russia; while their texts have been viewed as models by subsequent generations of interpreters.

Сонет 130 У. Шекспира в переводах на русский и белорусский языки: общее и специфическое