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The article examines the role of Fyodor M. Dostoevsky’s individual thesaurus in the formation of the general corpus of texts and editorial revisions of texts written by different authors in the weekly periodical “Grazhdanin” (“The Citizen”, 1873–1874). The author demonstrates some features of Dostoevsky’s editing by the example of using the word ‘stushevat’sia’ (‘get embarrassed’, ‘disappear’, etc.) in this publication. This gives an opportunity to find out the specific character of his work with other persons’ texts. Intrusion into someone else’s text was a comprehensive practice for Dostoevsky as an editor. The thesaurus analysis is a method for solving the problems of attribution and an approach to the description of writing styles. In the course of editing texts written by other people, Dostoevsky often used to recode them, translate into his conceptual language, and introduce them into his sphere of concepts. By these means, he used to raise the level of statement and interpretation of current existential issues. In his thesaurus, actual categories are those that express the essence of phenomena and become ontological ones. One of them is the concept ‘narod’ (‘people’, ‘nation’) and its derivations. Dostoevsky’s representation of the concept ‘narod’ allows to specify to what extent his editing turned out to be authorship and co-authorship or remained the writer’s editorial work.

Тезаурусный анализ и проблема атрибуции редакционных статей в «Гражданине» Достоевского (1873–1874)