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This article is a result of two years of research, which had as one of its aims to investigate the history of translation practice of Tupi-Guarani chants from 1970 to the present. The research was divided into two stages: first, a survey was carried out in order to build a corpus of translations supplemented by extratextual information related to the texts and their respective translators; the second stage focused on developing a “translation archaeology” (D’HULST, 2001, 2010; PYM, 1998) based on this corpus in order to map the translations of Tupi-Guarani chants in the last 50 years. The mapping consisted in the quantitative analysis of a corpus composed of 233 translations. There was a significant prevalence of original translations (211) over retranslations (only 11), as well as of translations without commentaries (186) over those with commentaries (47). The texts are distributed throughout 21 publications: nine books, seven thesis and dissertations, three articles, one teaching material, and one document related to a language documentation project. From the total of publications, 15 of them present the chants translated in a bilingual format (along with the original text in the native language), while four present only the translations and two have texts in both formats. Finally, in regard to the translators, 11 are Indigenous (two women and nine men) and 17 are non-Indigenous (nine women and eight men).

A ARQUEOLOGIA DA TRADUÇÃO DE CANTOS TUPI-GUARANI NO BRASIL