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The archetypes that constitute the collective unconscious of humanity are one of the principal elements of the creation of characters and plot in drama. The history of theatre, which was shaped within a rule-based structure for centuries, has witnessed the attempts to get beyond of the dramatic from the counter-realistic tendencies since early 20th century on. The changes in the structure, however, have not abolished the relationship of the drama with the archetypes, on the contrary, they have strengthened it. The aim of this study is to analyse Melih Cevdet Anday’s Yarın Başka Koruda (Tomorrow, in Another Grove) within the framework of using archetypes. This play is one of the important examples of absurd theatre – a tendency that deliberately deforms classic dramatic structure – in Turkey. In this analysis, the important symbols and patterns in the play, specifically the archetype of lack of memory, will be discussed in the context of Carl Gustav Jung’s theory of archetypes. It will also be associated with the concept of the hero, which Joseph Campbell considers as a monomyth model, considering the characters’ quest for existence and their situation on the planes of past, present and future.

'YARIN BAŞKA KORUDA OYUNUNUN BELLEKSİZLİK ARKETİPİ BAĞLAMINDA İNCELENMESİ