English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Plus annual

Presents the access of premium content as premium feature

Premium Content

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools annual

Global: Zendy Free Plan

Global: Zendy Tools monthly

Global: Zendy Plus monthly

A painted crucifix on the first page of the Varos confraternity of Holy Cross of 1439 can be assigned to the hand of Split painter Dujam Vuckovic who also painted in 1442 for the Confraternity of St Anastasius a picture of their patron on the back of the first page of their regulations. With a deal of circumspection, the author put forward the hypothesis that Vuckovic did not just paint this parchment, but perhaps also wrote out the whole set of rules of the confraternity. The polyptych (c. 1437) from St Francis’ in Split – today in the Hermitage in St Petersburg – and the two confraternal constitutions from the same city definitely remove any doubt as to Vuckovic’s artistic profile, although it needs to be treated as a whole at monograph level.

The Painting of Dujam Vučković on the Constitution of the Confraternity of Holy Cross in Split (1439)