English (United Kingdom)

https://curated-unify.zendy.io/wp-json/zendy-region/v1/featured_content/oa?rat=en

https://curated-unify.zendy.io/wp-json/zendy-region/v1/highlighted_journal/

Global: Zendy Tools annual

Presents the keyphrase highlighting as premium feature

Keyphrase Highlighting

Presents the summarisation as premium feature

Summarisation

Insights

Presents the pdf analysis as premium feature

PDF Analysis

Presents the zaia usage as premium feature

ZAIA

Global: Zendy Tools monthly

Global: Zendy Plus monthly

Presents the access of premium content as premium feature

Premium Content

Global: Zendy Plus annual

Global: Zendy Free Plan

espanolEste articulo intenta aproximarse a la figura femenina de Hiparquia de Maronea, identificando su lugar dentro del cinismo antiguo, movimiento filosofico contestatario de finales del siglo iv a. C. Su figura seria ejemplo de una mujer “extradomestica”, opuesta completamente a la imagen de la mujer ateniense que permanece recluida en el interior de la casa, respetando celosamente las leyes del silencio. Al respecto, para descifrar las claves de Hiparquia, es fundamental y muy significativo considerar el “matrimonio de perros” (kynogamia) como la expresion mas elevada del eros cinico. La kynogamia implica una ruptura radical con el matrimonio convencional, en cuanto institucion religiosa, social y politica que determina en el oikos el lugar de las mujeres en la antiguedad, y constituye el punto culminante de la union erotica cinica, al poner de manifiesto su “indiferencia” (adiaphoria) respecto al acto sexual. Hiparquia, comparada con Artemisa, se situa en los confines de lo salvaje, unida a su esposo, Crates de Tebas, vive en co-herencia segun las leyes de la naturaleza. EnglishThis paper aims to approach the figure of Hiparccia of Maroneia, by identifying her place within the ancient cynicism, a rebellious philosophical movement of the end of the IV century B.C. Her figure is asserted to be an example of an "extra-domestic" woman, entirely opposed to the image of the Athenian woman who remains confined in the house, earnestly observing the laws of silence. In order to figure out the keys of Hipparchia’s character, it is both crucial and highly significant to consider the "dog-coupling" (cynogamy) as the ultimate expression of cynical eros. Cynogamy implies a radical break with conventional marriage, as a religious, social and political institution determining the oikos as the place of women in antiquity. Cynogamy is also the culminating point of cynical erotic union, underscoring its "indifference" (adiaphora) to sexual intercourse. Hipparchia, compared to Artemis, is situated in the confines of the wild. United to her husband, Crates of Thebes, she lives in coherence with the laws of nature.

Viviendo en co-herencia con la filosofía cínica: Hiparquia de Maronea