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". . . LES PREMIERS DISCOURS furent les premi?res chansons," writes Jean-Jacques Rousseau in his "Essai Sur l'Origine des Langues." For Rousseau (as for Wagner, a hundred years later) the original language was a song of immediacy, passion made voice just as need was made gesture. A hundred years after Wagner, we are still a hundred years after Wagner and still think of music as some unhindered discourse of the unconscious. It

Blindness and Inwit: James Joyce and the Sirens a Reading of Chapter 11 of "Ulysses"