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after growing up in rural Oregon and Washington, Raymond Carv er migrated to northern California, in the early sixties, to pursue higher education at Chico State College. There he was discovered by one of his teachers, who happened to be the writer John Gardner, himself fresh out of graduate school. Gardner knew that promising young writers need nurturing. Carver was soon using his mentor's campus office on weekends for his writing. But writing wasn't all he was doing there, as he confessed, with amusement and some chagrin, many years later: "In his office on the weekends I used to go through his manuscripts and steal titles from his stories ... I mean take his titles, which struck me as awfully good, as I recall, and rephrase them, and put them on my own stories."1 When Gardner caught on to what his young protegee was up to, Carver got a scolding, and was informed that the invasion of another writer's privacy and the pilfering of his words were basic improprie ties.

Will You Please Be Quiet, Please?: Voyeurism, Dissociation, and the Art of Raymond Carver