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Cinema is an important medium for the construction of the representations of masculinity. The pressure on those that do not comply with the constructed image of masculinity will result in punishment and a dimension of exclusion that includes marginalization and exclusion. In order to examine the construction of masculinity and how marginalization occurs, the film Şohretin Sonu (The End of Fame, Orhan Aksoy, 1981) was studied. Bulent Ersoy, the lead actor of the movie, is a Turkish classical music artist, who played roles of both men and women in films between the years 1976-1989, and underwent sexual reassignment surgery to become a woman. This paper utilizes the case study method to examine how hegemonic masculinity is constructed in the society with regard to hegemonic masculinity variable. The film is not simply about the dominance of men. It also shows how women submit to the established construction of masculine hegemony in marginalization, exclusion, and conflict areas, beginning from family to government institutions and societal establishments. The film emphasizes a negative reproduction of sexuality and transsexuality

BEING THE SHAME OF SOCIETY: THE CONSTRUCTION OF HEGEMONIC MASCULINITY IN THE FILM ŞÖHRETİN SONU (THE END OF FAME)