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The theme of this article is Ernst Jünger’s work in the interwar period, especially the essay The Worker (1932). Our focus is to point out, in the Jüngerian appropriation of technique, its character of anti-liberal political mythology. We dialogue with the political and intellectual horizon of the time (including authors such as Simmel, Kracauer and Benjamin), seeking to establish a problematization framework about the technique in Germany, where also emerges the so-called “Conservative Revolutionary Movement.” We point out in Jünger’s work the relationship between the “type” or “figure of the worker” and the notion of the sacrifice of individuality in favor of the total mobilization of technique, in the terms of reactionary modernism. Finally, as there are no references to authors and works in The Worker, we raise the hypothesis of an underlying dialogue with the intellectual tradition of Romanticism by confronting Jünger’s work with the theme of “asymptotic completion” (Lacoue-Labarthe) -the impossibility, in modern times, of sustaining a pre-established harmony.

Ernst Jünger e o demônio da técnica: modernidade e reacionarismo