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Kant’s Critique of the Power of Judgment places the principle of aesthetic judgment in the feeling of pleasure –this being understood not as a mere data of the senses, but as a manifestation of a potential correspondence between understanding and reason. Meanwhile, Kant’s classification of fine arts grants literature a privileged position, given the proximity that the linguistic means provide with the relation between intuition and concept. This article incorporates these considerations into the sphere of the reading experience, showing how the pleasure this generates goes beyond simple delight to eventually identify itself with the enigmatic, imaginative activity that is able to conceive a second nature.

Las palomas de Gracchus: una poética kantiana de la lectura