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This article analyzes the power relations between the subjects “men” and “women” in Josefina Lopez’ play Real Women Have Curves . From a post -colonial feminist approach, we study the male domination over the fe male body – as colonized bodies – and the need, as suggested in the play, of a multicultural – not ethnocentric–, inclusive, feminist study that takes into consideration the particularities of the double-marginalized women (as women and as women from developing countries) as opposed to an absolute and essentialist identity.

La mujer “real”: cuerpos e historias particulares en Real Women Have Curves de Josefina López